At some point [Tina] said, “I was going to make those hoe cakes and a Peach Cobbler, but I’m just too tired…”. All the eyes lit up in great joy for just a second. Since I could see the disappointment that immediately followed, and I was a couple beers and some moonshine in, I volunteered my buzzed-but-able self to make the cobbler.
Each quadrant was traced from the original and the four are intended to be identical, with the center symbolizing the bliss- y bits where the four scepters come together. This is carved into a 12”x12” mounted linoleum block. Of the three original prints, one belongs to me, one to Mikel, and one is in the personal collection of musician Dave Grohl.
In March of 2014, Foo Fighters, with producer Butch Vig and engineer James Brown, alongside Jim Rota and the fine folks at Therapy Studios moved into Southern Ground Nashville for 10 days to film interviews, write and record a song, make a music video, and enjoy the spoils of our studio and of Music City.
At some point [Tina] said, “I was going to make those hoe cakes and a Peach Cobbler, but I’m just too tired…”. All the eyes lit up in great joy for just a second. Since I could see the disappointment that immediately followed, and I was a couple beers and some moonshine in, I volunteered my buzzed-but-able self to make the cobbler.
Each quadrant was traced from the original and the four are intended to be identical, with the center symbolizing the bliss- y bits where the four scepters come together. This is carved into a 12”x12” mounted linoleum block. Of the three original prints, one belongs to me, one to Mikel, and one is in the personal collection of musician Dave Grohl.
